Annie Elise
Behind every crime is a victim, a perpetrator, and a story that demands to be told. With over 1.5 million subscribers and 500 million views, 10 to Life is one of YouTube’s leading true crime channels. And now, for the first time ever, you can also listen wherever you get your podcasts. From shocking murder cases and…
Apple · United States · True Crime
22
Apple · Canada · True Crime
34
Spotify · United States · True Crime
47
Apple · United Kingdom · True Crime
47
Apple · Australia · True Crime
64
| Date | Chart | Rank | Change |
|---|---|---|---|
| 11 Nov 2026 | Apple · United States · true crime | 22 | Up 23 places |
| 11 Nov 2026 | Apple · Canada · true crime | 34 | Up 51 places |
| 11 Nov 2026 | Spotify · United States · true crime | 47 | Up 1 place |
| 11 Nov 2026 | Apple · United Kingdom · true crime | 47 | Up 43 places |
| 11 Nov 2026 | Apple · Australia · true crime | 64 | New entry |
| 11 Nov 2026 | Apple · United States · All categories | 103 | New entry |
| 11 Nov 2026 | Apple · Canada · All categories | 193 | New entry |
| 10 Nov 2026 | Apple · United States · true crime | 45 | Down 9 places |
Every chart this show appears in, once a day. No digest, no newsletter essay.
Rank #1 is at the top. Dashed sections are days the show was not on this chart.
Podhash has 80 days of history for this chart. Longer ranges unlock as more daily snapshots are captured.
6 Sept 2026
places gained
in this chart
Latest 11 Nov 2026
| 10 Nov 2026 | Spotify · United States · true crime | 48 | Up 2 places |
| 10 Nov 2026 | Apple · Canada · true crime | 85 | Down 22 places |
| 10 Nov 2026 | Apple · United Kingdom · true crime | 90 | Down 1 place |
| 8 Nov 2026 | Apple · United States · true crime | 36 | Down 1 place |
| 8 Nov 2026 | Spotify · United States · true crime | 50 | Down 1 place |
| 8 Nov 2026 | Apple · Canada · true crime | 63 | Down 2 places |
| 8 Nov 2026 | Apple · Australia · true crime | 89 | Down 10 places |
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Not affiliated with, endorsed by or partnered with Apple or Spotify. Chart positions are read from each platform’s own public charts and are relative ranking signals, not audience figures.